In ‘Fictions of Presence,’ a View-Master and declassified 9/11 interrogation docs, 48 Hills, November 2024
Warhol Foundation Announces Spring 2024 Grantees, Artforum, June 2024
Your Phone is Haunted, KQED, April 2024
Việt Lê embodies the divine of ‘MOTHER | GODDESS’ with Southeast Asian ‘spiritual drag’, 48 Hills, November 2023
Don’t fear the blackout? ‘through the electric grid promised land’ binds in darkness, 48 Hills, April 2023
Art to See at the Start of 2023, KQED, January 2023
Meet curator Ashara Ekundayo, CBS News – Black Renaissance, November 2022
Self-healing and magic crystallize in ‘SALT to CATCH GHOSTS’, 48 Hills, September 2022
‘Codes of Silence’ explores how culture experiences construct of silence, San Francisco Chronicle, April 2022
The Bitch Patch, A poem in response to Under the Waqwaq Tree, February 2022
Review: Under the Waqwaq Tree, Journal, January 2022
Who says mythology is fiction? Group show explores edge of fantasy, 48 Hills, December 2021
Gallery Highlights: “Under the Waqwaq Tree”, SF/ARTS, December 2021
Artist Hannah Waiters Invites Her Audience to Be Part of the Story, KQED, September 2021
Gallery Highlights: Spirit & Flesh, SF/ARTS, September 2021
Lessons from the Forest: Arboreal at / Gallery, Variable West, September 2021
Arboreal at /, Aftershock Magazine, June 2021
Critic’s Pick: Harvest the crust from your eyes, Artforum, February 2020
Harvest the crust from your eyes at / (SLASH), Art Viewer, February 2020
Eric Wesley, Martha Rosler at /, Contemporary Art Daily, April 2019
Gavin Kenyon, Mimi Lauter at /, Contemporary Art Daily, February 2019
This New Nonprofit Gallery is Named ‘/’ … Yep, That’s a Single Slash, KQED, December 2018
Curator Christian L. Frock’s pick: Hannah Greely/Calvin Marcus, SF/ARTS, December 2018
Contemporary art gallery ‘Slash’ now open in SoMa, Hoodline, November 2018